| Without the ceremony of knocking, Parfen entered a small apartment, furnished like a drawing-room, but with a polished mahogany partition dividing one half of it from what was probably a bedroom. In one corner of this room sat an old woman in an arm-chair, close to the stove. She did not look very old, and her face was a pleasant, round one; but she was white-haired and, as one could detect at the first glance, quite in her second childhood. She wore a black woollen dress, with a black handkerchief round her neck and shoulders, and a white cap with black ribbons. Her feet were raised on a footstool. Beside her sat another old woman, also dressed in mourning, and silently knitting a stocking; this was evidently a companion. They both looked as though they never broke the silence. The first old woman, so soon as she saw Rogojin and the prince, smiled and bowed courteously several times, in token of her gratification at their visit. |
| “Oh! yes, long ago,” continued Ivan Petrovitch, “while you were living with my cousin at Zlatoverhoff. You don’t remember me? No, I dare say you don’t; you had some malady at the time, I remember. It was so serious that I was surprised--” |
| “Yes.” |
| “I have long sought the honour and opportunity of meeting you--much-esteemed Lef Nicolaievitch,” he murmured, pressing the prince’s hand very hard, almost painfully so; “long--very long.” |
| “Curious enough, yes, but crude, and of course dreadful nonsense; probably the man lies in every other sentence.” |
“Oho, how careful one has to be with you, prince! Haven’t you put a drop of poison in that remark now, eh? By the way--ha, ha, ha!--I forgot to ask, was I right in believing that you were a good deal struck yourself with Nastasia Philipovna.”
“Oh no; not at all.”
It was impossible to avoid noticing them, however, in reality, for they made their presence only too conspicuous by laughing and talking loudly. It was to be supposed that some of them were more than half drunk, although they were well enough dressed, some even particularly well. There were one or two, however, who were very strange-looking creatures, with flushed faces and extraordinary clothes; some were military men; not all were quite young; one or two were middle-aged gentlemen of decidedly disagreeable appearance, men who are avoided in society like the plague, decked out in large gold studs and rings, and magnificently “got up,” generally.
So saying, she had left the room, banging the door after her, and the prince went off, looking as though he were on his way to a funeral, in spite of all their attempts at consolation.
It so happened, however, that on this particular evening all these good people were in excellent humour and highly pleased with themselves. Every one of them felt that they were doing the Epanchins the greatest possible honour by their presence. But alas! the prince never suspected any such subtleties! For instance, he had no suspicion of the fact that the Epanchins, having in their mind so important a step as the marriage of their daughter, would never think of presuming to take it without having previously “shown off” the proposed husband to the dignitary--the recognized patron of the family. The latter, too, though he would probably have received news of a great disaster to the Epanchin family with perfect composure, would nevertheless have considered it a personal offence if they had dared to marry their daughter without his advice, or we might almost say, his leave.
“Come, come! the less _you_ say about it the better--to judge from all I have heard about you!” replied Mrs. Epanchin.
| “Has anyone a coin about them? Give me a twenty-copeck piece, somebody!” And Hippolyte leapt from his chair. |
“So be it, then. Gavrila Ardalionovitch,” she spoke solemnly and forcibly, “you hear the prince’s decision? Take it as my decision; and let that be the end of the matter for good and all.”
“Get away!” he shouted frantically, observing that Daria Alexeyevna was approaching to protest against Nastasia’s conduct. “Get away, she’s mine, everything’s mine! She’s a queen, get away!”
| The prince gazed at it for a minute or two, then glanced around him, and hurriedly raised the portrait to his lips. When, a minute after, he reached the drawing-room door, his face was quite composed. But just as he reached the door he met Aglaya coming out alone. |
“It is a pity you have taken too much wine, Lebedeff I want to ask you something... but...”
“I assure you, prince, that Lebedeff is intriguing against you. He wants to put you under control. Imagine that! To take ‘from you the use of your free-will and your money’--that is to say, the two things that distinguish us from the animals! I have heard it said positively. It is the sober truth.”
“If you do not turn those dreadful people out of the house this very instant, I shall hate you all my life--all my life!” It was Aglaya. She seemed almost in a frenzy, but she turned away before the prince could look at her. However, there was no one left to turn out of the house, for they had managed meanwhile to get Hippolyte into the cab, and it had driven off.
“What would I show them?| But there was something in the appearance of both the ladies and their admirers which was peculiar, quite different for that of the rest of the public assembled around the orchestra. |
| “_Au revoir_, then!” said Aglaya, holding out her hand to the prince. |
| “Excuse me--wait a minute--he says that the leg we see is a wooden one, made by Tchernosvitoff.” |