All this had been very painful to listen to. One fact stood out certain and clear, and that was that poor Aglaya must be in a state of great distress and indecision and mental torment (“from jealousy,” the prince whispered to himself). Undoubtedly in this inexperienced, but hot and proud little head, there were all sorts of plans forming, wild and impossible plans, maybe; and the idea of this so frightened the prince that he could not make up his mind what to do. Something must be done, that was clear.
Rogojin stopped and looked at him; then reflected, and replied as though he had not heard the question:
“It’s all nonsense on both sides,” snapped out Varia. “Let them alone, mother.”
However, a week later she received another letter from the same source, and at last resolved to speak.
“No, I have forgotten nothing. Come! This is the house--up this magnificent staircase. I am surprised not to see the porter, but .... it is a holiday... and the man has gone off... Drunken fool! Why have they not got rid of him? Sokolovitch owes all the happiness he has had in the service and in his private life to me, and me alone, but... here we are.”“You wouldn’t believe,” he concluded, “how irritating they all are there. They are such wretchedly small, vain, egotistical, _commonplace_ people! Would you believe it, they invited me there under the express condition that I should die quickly, and they are all as wild as possible with me for not having died yet, and for being, on the contrary, a good deal better! Isn’t it a comedy? I don’t mind betting that you don’t believe me!”
“You saw me as a child!” exclaimed the prince, with surprise.
The bewildered Gania introduced her first to Varia, and both women, before shaking hands, exchanged looks of strange import. Nastasia, however, smiled amiably; but Varia did not try to look amiable, and kept her gloomy expression. She did not even vouchsafe the usual courteous smile of etiquette. Gania darted a terrible glance of wrath at her for this, but Nina Alexandrovna mended matters a little when Gania introduced her at last. Hardly, however, had the old lady begun about her “highly gratified feelings,” and so on, when Nastasia left her, and flounced into a chair by Gania’s side in the corner by the window, and cried: “Where’s your study? and where are the--the lodgers? You do take in lodgers, don’t you?”
“Norma backed slowly and carefully away from the brute, which followed her, creeping deliberately after her as though it intended to make a sudden dart and sting her.| “A whole one, and in a candlestick?” |
“You too, Alexandra Ivanovna, have a very lovely face; but I think you may have some secret sorrow. Your heart is undoubtedly a kind, good one, but you are not merry. There is a certain suspicion of ‘shadow’ in your face, like in that of Holbein’s Madonna in Dresden. So much for your face. Have I guessed right?
| The laughter became louder than ever. |
“Well, take care you don’t tell him to his face that you have found the purse. Simply let him see that it is no longer in the lining of your coat, and form his own conclusions.”
Lebedeff ran up promptly to explain the arrival of all these gentlemen. He was himself somewhat intoxicated, but the prince gathered from his long-winded periods that the party had assembled quite naturally, and accidentally.| “I confess this disturbs me a good deal. Someone must have picked it up, then.” |
| “What? Would you go to her--to her?” |
Nastasia must have overheard both question and reply, but her vivacity was not in the least damped. On the contrary, it seemed to increase. She immediately overwhelmed the general once more with questions, and within five minutes that gentleman was as happy as a king, and holding forth at the top of his voice, amid the laughter of almost all who heard him.
He found the mother and daughter locked in one another’s arms, mingling their tears.
This message entirely calmed the prince’s mind.
He longed to get up and go to her at once--but he _could not_. At length, almost in despair, he unfolded the letters, and began to read them.
“Well, he plumped out that I had about a month left me; it might be a little more, he said, under favourable circumstances, but it might also be considerably less. According to his opinion I might die quite suddenly--tomorrow, for instance--there had been such cases. Only a day or two since a young lady at Colomna who suffered from consumption, and was about on a par with myself in the march of the disease, was going out to market to buy provisions, when she suddenly felt faint, lay down on the sofa, gasped once, and died.| He was extremely excited; his lips trembled, and the resentment of an embittered soul was in his voice. But he spoke so indistinctly that hardly a dozen words could be gathered. |
“No, no, read it--read it at once directly, and aloud, aloud!” cried she, calling Colia to her and giving him the journal.--“Read it aloud, so that everyone may hear it!”
| He himself, when relating the circumstances of the general’s illness to Lizabetha Prokofievna, “spoke beautifully,” as Aglaya’s sisters declared afterwards--“modestly, quietly, without gestures or too many words, and with great dignity.” He had entered the room with propriety and grace, and he was perfectly dressed; he not only did not “fall down on the slippery floor,” as he had expressed it, but evidently made a very favourable impression upon the assembled guests. |
| “Perhaps that is just what was so fascinating about it.” |
| A minute afterwards, Evgenie Pavlovitch reappeared on the terrace, in great agitation. |
| “Come, speak out! Don’t lie, for once in your life--speak out!” continued Hippolyte, quivering with agitation. |
| “Besides, he’s quite a child; we can entertain him with a little hide-and-seek, in case of need,” said Adelaida. |
| One of these was a middle-aged man of very respectable appearance, but with the stamp of parvenu upon him, a man whom nobody knew, and who evidently knew nobody. The other follower was younger and far less respectable-looking. |
| “I know that there were just as many, and just as terrible, crimes before our times. Not long since I visited a convict prison and made acquaintance with some of the criminals. There were some even more dreadful criminals than this one we have been speaking of--men who have murdered a dozen of their fellow-creatures, and feel no remorse whatever. But what I especially noticed was this, that the very most hopeless and remorseless murderer--however hardened a criminal he may be--still _knows that he is a criminal_; that is, he is conscious that he has acted wickedly, though he may feel no remorse whatever. And they were all like this. Those of whom Evgenie Pavlovitch has spoken, do not admit that they are criminals at all; they think they had a right to do what they did, and that they were even doing a good deed, perhaps. I consider there is the greatest difference between the two cases. And recollect--it was a _youth_, at the particular age which is most helplessly susceptible to the distortion of ideas!” |
| “Do you know, though,” cried the prince warmly, “you made that remark now, and everyone says the same thing, and the machine is designed with the purpose of avoiding pain, this guillotine I mean; but a thought came into my head then: what if it be a bad plan after all? You may laugh at my idea, perhaps--but I could not help its occurring to me all the same. Now with the rack and tortures and so on--you suffer terrible pain of course; but then your torture is bodily pain only (although no doubt you have plenty of that) until you die. But _here_ I should imagine the most terrible part of the whole punishment is, not the bodily pain at all--but the certain knowledge that in an hour,--then in ten minutes, then in half a minute, then now--this very _instant_--your soul must quit your body and that you will no longer be a man--and that this is certain, _certain_! That’s the point--the certainty of it. Just that instant when you place your head on the block and hear the iron grate over your head--then--that quarter of a second is the most awful of all. |
“A donkey? How strange! Yet it is not strange. Anyone of us might fall in love with a donkey! It happened in mythological times,” said Madame Epanchin, looking wrathfully at her daughters, who had begun to laugh. “Go on, prince.”
“Last week? In the night? Have you gone cracked, my good friend?”
“Yes.”
“If you are too lazy to mend your bell, you should at least wait in the hall to let people in when they rattle the bell handle. There, now, you’ve dropped my fur cloak--dummy!”
| “I cannot, I assure you. I confess I do not understand how anyone can play this game.” |
| “Final explanation: I die, not in the least because I am unable to support these next three weeks. Oh no, I should find strength enough, and if I wished it I could obtain consolation from the thought of the injury that is done me. But I am not a French poet, and I do not desire such consolation. And finally, nature has so limited my capacity for work or activity of any kind, in allotting me but three weeks of time, that suicide is about the only thing left that I can begin and end in the time of my own free will. |
“You know quite well that I am telling the truth, because I have always been frank with you. I have never concealed my own opinion from you. I have always told you that I consider a marriage between you and her would be ruin to her. You would also be ruined, and perhaps even more hopelessly. If this marriage were to be broken off again, I admit I should be greatly pleased; but at the same time I have not the slightest intention of trying to part you. You may be quite easy in your mind, and you need not suspect me. You know yourself whether I was ever really your rival or not, even when she ran away and came to me.
“Oh, well, when I saw her she almost punched my head, as I say; in fact so nearly that one might almost say she did punch my head. She threw the letter in my face; she seemed to reflect first, as if she would have liked to keep it, but thought better of it and threw it in my face instead. ‘If anybody can have been such a fool as to trust a man like you to deliver the letter,’ says she, ‘take it and deliver it!’ Hey! she was grandly indignant. A fierce, fiery lady that, sir!”
VII.“I don’t want you to suspect that I have simply come here to deceive you and pump information out of you!” said Evgenie, still smiling, and without making any direct reply to the question.
“No, I had better speak,” continued the prince, with a new outburst of feverish emotion, and turning towards the old man with an air of confidential trustfulness. “Yesterday, Aglaya Ivanovna forbade me to talk, and even specified the particular subjects I must not touch upon--she knows well enough that I am odd when I get upon these matters. I am nearly twenty-seven years old, and yet I know I am little better than a child. I have no right to express my ideas, and said so long ago. Only in Moscow, with Rogojin, did I ever speak absolutely freely! He and I read Pushkin together--all his works. Rogojin knew nothing of Pushkin, had not even heard his name. I am always afraid of spoiling a great Thought or Idea by my absurd manner. I have no eloquence, I know. I always make the wrong gestures--inappropriate gestures--and therefore I degrade the Thought, and raise a laugh instead of doing my subject justice. I have no sense of proportion either, and that is the chief thing. I know it would be much better if I were always to sit still and say nothing. When I do so, I appear to be quite a sensible sort of a person, and what’s more, I think about things. But now I must speak; it is better that I should. I began to speak because you looked so kindly at me; you have such a beautiful face. I promised Aglaya Ivanovna yesterday that I would not speak all the evening.”
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
“Quite right!” agreed General Ivolgin in a loud voice.
“Yes, it’s quite true,” said Rogojin, frowning gloomily; “so Zaleshoff told me. I was walking about the Nefsky one fine day, prince, in my father’s old coat, when she suddenly came out of a shop and stepped into her carriage. I swear I was all of a blaze at once. Then I met Zaleshoff--looking like a hair-dresser’s assistant, got up as fine as I don’t know who, while I looked like a tinker. ‘Don’t flatter yourself, my boy,’ said he; ‘she’s not for such as you; she’s a princess, she is, and her name is Nastasia Philipovna Barashkoff, and she lives with Totski, who wishes to get rid of her because he’s growing rather old--fifty-five or so--and wants to marry a certain beauty, the loveliest woman in all Petersburg.’ And then he told me that I could see Nastasia Philipovna at the opera-house that evening, if I liked, and described which was her box. Well, I’d like to see my father allowing any of us to go to the theatre; he’d sooner have killed us, any day. However, I went for an hour or so and saw Nastasia Philipovna, and I never slept a wink all night after. Next morning my father happened to give me two government loan bonds to sell, worth nearly five thousand roubles each. ‘Sell them,’ said he, ‘and then take seven thousand five hundred roubles to the office, give them to the cashier, and bring me back the rest of the ten thousand, without looking in anywhere on the way; look sharp, I shall be waiting for you.’ Well, I sold the bonds, but I didn’t take the seven thousand roubles to the office; I went straight to the English shop and chose a pair of earrings, with a diamond the size of a nut in each. They cost four hundred roubles more than I had, so I gave my name, and they trusted me. With the earrings I went at once to Zaleshoff’s. ‘Come on!’ I said, ‘come on to Nastasia Philipovna’s,’ and off we went without more ado. I tell you I hadn’t a notion of what was about me or before me or below my feet all the way; I saw nothing whatever. We went straight into her drawing-room, and then she came out to us.